About Me / Contact

So what have you written?

My credits include stories set in the worlds of Star Wars (comics), Warhammer (fiction and audio), Judge Dredd (comics and fiction), Judge Anderson (comics and fiction), Teenage Mutant Ninja Turtles, Hawk the Slayer, Guillermo del Toro’s Trollhunters, LEGO Star Wars, Ninjago and Batman, legendary horror director John Carpenter (all comics), over a dozen more titles for legendary British anthology comic 2000 AD, and a bunch more.

Check out my bibliography for a full list of published credits.

Which publishers have you worked for?

Clients and stakeholders include Games Workshop, Lucasfilm, Rebellion Developments, LEGO, Marvel Entertainment, DC Comics, DreamWorks Animation, Panini UK and Germany, Nickelodeon, Blue Ocean Entertainment, Zenescope Entertainment, Storm King Productions, and more.

Alec Worley is an award-lacking writer from South London who’s spent the last 20+ years writing comics, fiction and audio dramas full of swords, fangs and lasers.

He also writes critical essays on fantasy, horror, sci-fi and all the weird that’s in between over on Agent of Weird: Exploring the Write Fantastic.

Have you written comics for younger readers (middle-grade+)?

Yes! Tons!

Star Wars, Teenage Mutant Ninja Turtles, Guillermo del Toro’s Trollhunters, several strips for Rebellion’s children’s comic Monster Fun, and lots and lots of LEGO.

Do you write stories outside of licensed IPs?

I work on my own projects less often than I’d like… My original comics include post-apocalyptic werewolf fantasy Age of the Wolf and paranormal comedy Dandridge (both published in 2000AD), and a horror graphic novel The Coffin Road (for John Carpenter’s Night Terrors series published by Storm King Comics).

My short fiction has appeared in Sharkpunk, New Edge Sword & Sorcery, Agent of Weird and others.

We’re looking for someone who can adapt a work of fiction into a graphic novel/comic. Is that something you can do?

Haha! Yes! I’ve worked on several adaptation projects, translating younger readers Star Wars novels Weapon of a Jedi and Smuggler’s Run into comics for Panini Germany.

I also adapted the opening episodes of the Star Wars Resistance TV show (working from the screenplays as the episodes had yet to air). I also adapted the first episode of Guillermo del Toro’s Trollhunters for Panini Germany.

Have you worked in narrative design or IP development?

I’ve worked with several publishers and private individuals to develop intellectual properties, most recently for tabletop skirmish game Zeo Genesis by US developer Best Hobby.

I’ve rebooted/revived/developed several IPs for 2000 AD, including sci-fi actioner Durham Red, nautical folk horror story Hook-Jaw, sword-and-sorcery series Black Beth and Hawk the Slayer, along with vintage younger readers’ title Crabbe’s Crusaders for Rebellion’s Monster Fun.

As with all my stories, I tailor the story to a specific readership, building worlds and characters with enough depth and dramatic complexity to enable the series potential to continue and diversify.

Have you ever taught or mentored?

Not formally, though I’ve done several panels, casual one-to-one workshops, and the odd school visit.

I’ve been approached by younger writers/comic creators so often that I compiled all my regular advice into a single free-to-download resource: A No-Mucking-About Beginner’s Guide to Starting Out as a Writer.

I’ve written widely on various creative topics on Agent of Weird: Exploring the Write Fantastic, a Substack blog/newsletter aimed at readers, writers, connoisseurs and creators, anyone who craves inspiration and insight into works of horror, fantasy and sci-fi.

My advice is always focuses on honesty, craft and practicality.

You’re also a movie and book critic?

More movies than books, but yes. I spent several years as a freelance film journalist and have written dozens of reviews, interviews, articles, critical pieces, advertorials, general copy and subediting for publications including Empire, Sight & Sound, Total Film, SFX, Film Review, Shivers, Starburst, Dreamwatch, DVD & Blu-Ray Review, Metal Hammer, the British Film Institute’s Screenonline project, and more.

My book Empires of the Imagination: A Critical Survey of Fantasy Cinema from Georges Melies to The Lord of the Rings was published by McFarland in 2005.

I continue to publish movie/book/comic-book essays on Agent of Weird: Exploring the Write Fantastic, a Substack blog/newsletter aimed at readers, writers, connoisseurs and creators, anyone who craves inspiration and insight into works of horror, fantasy and sci-fi.

Have you ever done subediting or copywriting?

I spent several years as a subeditor at a London content agency and have subbed, edited and copywritten for a variety of clients, including The Folio Society, Eaglemoss, Engage Publishing and John Brown Media.

Overall, I've worked on numerous online and print projects for clients including KPMG, Santander, Dixons Retail, the British Council, Virgin Media Business, the Muscular Dystrophy Campaign, Marvel Entertainment, and DC Comics.

I’m an editor/project manager/potential collaborator. Why should I work with you?

I’ve more than two decades’ experience in my chosen fields. I know the most common issues you might face and how to overcome them.

I’m completely self-taught, which gives me a forensic understanding of technique, craft and genre.

I aim to make life as easy as possible for my editors as well as the rest of the creative team.

I have an address-book full of creative contacts, if you’re looking for the right artist, letterer or colourist.

Deadlines are sacred.

We’d love to get in touch. Any stipulations?

I prefer clients to be up-front about budgets, rate expectations and timescales, as it saves time for everyone.

I can’t accept unsolicited short stories, novels, screenplays, comic or audio scripts. Any I receive will be immediately deleted.

I do not work with AI.

I’m always happy to hear from editors, project managers or potential collaborators, so please feel free to reach out via the contact form below and I’ll get back to you as soon as I can.

You can also reach me on Substack, LinkedIn, BlueSky, and LinkTree.

I loved that thing you wrote! What’s the best way to keep up with what you’re working on next?

First off, thanks so for much for buying, reading, listening, supporting or telepathically photosynthesising!

The best place to follow me these days is on Substack. Here you can subscribe to my free monthly newsletter Agent of Weird: Exploring the Write Fantastic.

Check out my Linktree for links to my popular books/comics.

You can also follow me on BlueSky and LinkedIn.